ARGOS in London

The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. This year’s conference combines cutting-edge research in social robotics with a unique focus on artistic and creative applications of robotics. One of the highlights of the conference will be ARGOS, a performance staged on 3 July 2026 at Senate House in London. Rooted in Homer’s “Odyssey”, ARGOS reimagines the return of Odysseus after twenty years of war, recognized only by his faithful dog, here embodied by a real robot dog. The performance explores trust, intimacy, error, vulnerability, and the ethics of human-robot relationships. Developed as part of the Creative Robotics Theatre research initiative, ARGOS is a collaboration between the University of the Arts London, the University of Leeds, the Cyprus University of Technology, and CYENS. Directed by George Rodosthenous and produced by Hooman Samani, the project demonstrates how robotics and theatre can come together to inspire new reflections on technology and human connection. Further information is available at hoomansamani.com/creative-robotics/creative-robotic-theatre/argos/.

Queering Sex Robots

An article titled “Queering Sex Robots Beyond Diversifying Design? Insights from Queer Lacanian Psychoanalysis and New Materialism” by Maaike van der Horst and Anna Puzio was published in the journal Philosophy & Technology in March 2026. Surprisingly, it does not reference several works that are highly relevant to the topic, including publications by Tanja Kubes and Oliver Bendel. As a result, some of the article’s claims to originality appear less convincing than they might otherwise have been. Following an exchange with one of the journal’s editors, Luciano Floridi, Oliver Bendel therefore submitted a commentary, which was published in Philosophy & Technology on June 10, 2026. From the abstract: “This commentary discusses Maaike van der Horst and Anna Puzio’s article ‘Queering Sex Robots Beyond Diversifying Design? Insights from Queer Lacanian Psychoanalysis and New Materialism’. While acknowledging the article’s valuable contribution, particularly its integration of Queer Lacanian Psychoanalysis and New Materialism, the commentary argues that its account of prior scholarship is incomplete. Several key themes and proposals presented as novel – including critiques of humanoid mimicry, new-materialist approaches to sexuality and technology, queer design concepts, relational ontology, and transformative sex robot forms – had already been developed in earlier work by Tanja Kubes and Oliver Bendel. The omission of these contributions affects assessments of originality, the reconstruction of the field’s intellectual development, and the allocation of scholarly credit. The commentary therefore calls for a more comprehensive scholarly genealogy of queer and new-materialist approaches to sex robots and argues that careful citation practices are essential to maintaining the integrity of academic discourse.” The article “Who Queered the Sex Robot? Notes on Attribution and Conceptual History” can be accessed at link.springer.com/article/10.1007/s13347-026-01123-3 (Photo: Cybrothel).

ICSR + Art 2026: Programme Highlights

The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The preliminary programme, now available, offers four days of scientific exchange, artistic exploration, and community building, featuring keynote lectures, paper presentations, special sessions, workshops, debates, a Grand Challenge, exhibitions, and a variety of networking opportunities. Reflecting the conference theme ICSR + Art, the programme highlights the growing intersections between social robotics and creative practice through events such as the Robot Fringe Festival, the Rising Stars in Social Robotics event, the premiere performance of Quantwin by Silke Grabinger, the 1001 Nights with Robots Show, Argos, and the Robot Fashion Show, while also covering the full breadth of contemporary social robotics research. Participants will have opportunities to engage with leading experts from academia, industry, healthcare, design, the arts, and other fields. Full details of the programme are available at icsr2026.uk/programme/.

Off the Record

After generative AI, robotics is the topic of the moment – and, of course, the two can be combined. On May 21, 2026, Walder Wyss hosted a robotics event at Kraftwerk Zurich as part of its “Off the Record” series, beginning at 6:00 p.m. Friends and clients of the law firm were invited to attend. The discussion covered traditional service robots as well as general-purpose robots—and social robots. The panel featured Prof. Dr. Oliver Bendel, a philosopher of technology and business information systems scholar who has been working extensively with chatbots, voice assistants, and social robots for decades, and Sylvia Stocker, CEO of Arabesque. The event was moderated by Ramona Wyss and Florian Gunz. Since May 27, 2026, photographs from the event have been available. They feature not only the speakers and moderators but also several of the robots present at the venue, including Unitree G1, Mars, and Pepper. In its corporate brochure, the law firm describes itself as follows: “We are a dynamic law firm with flat structures and a very friendly atmosphere. More than 300 legal experts make Walder Wyss one of the most successful Swiss commercial law firms. Our clients include national and international companies, publicly held corporations and family businesses as well as public law institutions and individuals.” (Photo: Walder Wyss)

Physical AI and the Future of Intimacy

On April 30, 2026, Prof. Dr. Oliver Bendel gave a talk on “Physical AI and the Future of Intimacy” at the SAGA Conference in Montreal. From the abstract: “The presentation begins with the Tamagotchi, the iconic digital pet that demonstrated how simple interactive systems can evoke emotional attachment. It then turns to social robots, wearable social robots, and AI-enhanced sex toys, love dolls, and sex robots. Today, large language models (LLMs) and multimodal language models (MLLMs) enable dialogue, perception, and evaluation in these systems. Such capabilities may also benefit people with disabilities, including blind users, by facilitating communication and interaction. At the same time, the physical dimension remains crucial. Embodied systems create presence and proximity: they can be touched, held, and stroked, and experienced through movement, vibration, or sound. The talk argues that future intimate technologies will emerge from the convergence of generative intelligence and physical embodiment, combining conversational AI with the sensory experience of a physically present companion.” On May 19, 2026, the photos from the event, taken by Maison Toki, an independent art agency in Montreal, were made available (Photo: Maison Toki).

Southwest Airlines Bans Humanoid and Animaloid Robots from Flights

Southwest Airlines has added a new clause to its baggage policy prohibiting humanoid and animaloid robots from being transported onboard, either in the cabin or as checked baggage. The airline defines a “human-like robot” as any robot designed to imitate human appearance, movement, or behavior. Likewise, an “animal-like robot” – more precisely described as an animaloid or zoomorph robot – refers to machines designed to resemble animals. The restriction would likely apply to robotic bipeds such as NAO, Pepper, Unitree G1, Apollo, Figure 03, or NEO, as well as robotc quadrupeds like Unitree Go2, Boston Dynamics’ Spot or Sony’s AIBO. While such machines are still uncommon in everyday travel, they are regularly used in research, engineering, education, and commercial demonstrations, making air transport a practical consideration for some owners and institutions. Southwest has not publicly explained the rationale behind the rule, but battery safety, handling concerns, and operational procedures are likely factors. Other robots and robotic toys remain permitted if they fit inside normal carry-on luggage and comply with existing battery restrictions. More information is available via support.southwest.com.

About Mythomorphic Design

The article “It Does Not Always Have to Be a Humanoid Robot: Mythomorphic Design as an Option and a Perspective” by Oliver Bendel was published in Wiley Industry News on May 13, 2026. The philosopher of technology proposes the term “mythomorph” to expand upon the categories of “humanoid” and “animalid” (“zoomorph”). This allows robots such as Mirokaï, Furby, and Cozmo to be better categorized than before. From the abstract: “Social robots are often designed in a humanoid or zoomorphic manner. In addition, there are object-like designs that attempt to avoid imitation of living beings. Nevertheless, humanoid or zoomorphic features may still appear, such as human-like eyes or an animal-like tail. Less common, but clearly present, is a design perspective that can be described as mythomorphic. In this case, humans or animals do not serve, or do not directly serve, as models; instead, extraterrestrials, fantasy figures, or mythological beings are used as inspiration. This contribution first addresses what can be understood by mythomorphic design. It then collects, describes, and classifies examples of social robots that follow this approach. Subsequently, an ontological, aesthetic, and ethical discussion is conducted, with opportunities and risks identified in each case. It becomes apparent that mythomorphic design can be understood as a distinct perspective within the broader design space of social robotics.” The article can be accessed here.

Authentic and Non-Authentic Laughter

The paper “Reading Between the Laughs: A Human-Referenced Audio Evaluation of MLLMs for Social Robotics” by Sahan Hatemo, Katharina Kühne, and Oliver Bendel has been accepted at ICSR + Art 2026. In this work, the researchers investigated whether today’s leading AI models can distinguish authentic from non-authentic laughter based solely on audio signals. The results revealed striking differences in model behavior: OpenAI systems showed a strong tendency to interpret most laughter as genuine, while Gemini models were generally more skeptical. Despite these contrasting biases, several models performed significantly better than chance, with Gemini 2.5 Pro achieving the strongest overall results. Their analysis also demonstrated that less capable models often relied on superficial cues such as pitch, disproportionately labeling higher-pitched laughter as less authentic, whereas the top-performing model appeared to focus on more sophisticated voice quality features, suggesting a deeper understanding of laughter authenticity. These findings highlight the growing potential of multimodal large language models in social robotics, where accurately interpreting subtle social signals like laughter could play an important role in trust, communication, and relationship building between humans and robots. The 18th International Conference on Social Robotics will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics.

ICSR Grand Challenge Finalists Announced

The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The finalists of the ICSR 2026 Grand Challenge have now been announced, showcasing an exciting and diverse range of innovative projects from researchers, artists, and interdisciplinary teams across the globe. This year’s finalists represent institutions from Europe, Asia, North America, and Australia, reflecting the international and creative spirit of the competition. The selected teams will present their work during the first day of the conference on 1 July 2026, with the results and awards to be announced on 3 July 2026. Finalists will also have the optional opportunity to demonstrate their projects during the conference. To support participation in the competition, ICSR offers a special reduced registration rate through the Grand Challenge Competition Finalists Pass, which grants access to the full conference; at least one registration per team is required, and each attendee must hold an individual registration. Further details regarding presentations and demonstrations will be communicated directly to finalists via email. For questions related to the ICSR Grand Challenge, participants may contact Prof. Laura Fiorini at laura.fiorini@unifi.it. A full list of finalists and additional information can be found at: icsr2026.uk/competition-finalists/.

Robot Runners Close In on Human Records

According to an article by Golem from April 19, 2026, humanoid robots beat human runners for the first time in a half marathon in Beijing, where a remotely controlled robot named Lightning (Blitz) from Honor initially finished first despite a fall but received a time penalty, resulting in an adjusted time of about 57 minutes, while the actual win went to an autonomous version of Lightning that completed the race in 50 minutes and 26 seconds, significantly improving on previous robot records and approaching the human world record. The event, which saw a sharp increase in participating teams and several robots struggling or crashing, reflects China’s strong investment in robotics and embodied AI, and experts note that such competitions primarily serve as rigorous tests to advance endurance, energy efficiency, and system reliability in robotics, with potential future applications in service, elderly care, and dangerous environments rather than long-distance running itself.