On July 1, 2026, the 18th International Conference on Social Robotics (ICSR + Art 2026) officially opened in London. Participants were welcomed by the General Chairs, Hooman Samani and Saina Akhond of the University of the Arts London, as well as by several robots, including the humanoid robot Ameca and the companion robot Lovot. Following registration and breakfast, the conference immediately moved into its scientific program with several parallel sessions. The Main Track Papers were presented in Conference Hall 1 (Beveridge Hall), while Special Sessions took place in Conference Hall 2 (Chancellor’s Hall). At the same time, authors of Short Papers introduced their work during the Teaser Talks in the Debate Hall (Senate Room). Held from July 1–4, 2026, ICSR is the leading international forum for researchers, academics, and industry professionals working in the field of social robotics. This year’s edition places a special emphasis on the intersection of social robotics and the arts, highlighting artistic and creative applications of robotic technologies. In addition to the technical program, the conference features the Robot Fringe Festival, the Grand Challenge, artistic performances, industry events, and numerous opportunities for networking and collaboration with leading researchers and practitioners from around the world. Further information is available at icsr2026.uk.
BMW Deploys Figure 03 in Spartanburg
As reported by Heise News in an article by Oliver Bünte published on June 29, 2026, BMW will deploy the new general-purpose robot Figure 03 robot for logistics tasks at its Spartanburg plant in the US. The robot will sort vehicle components for production, taking over repetitive work to support human workers. Compared to its predecessor, Figure 03 features several upgrades, including soft exterior materials for safer human-robot collaboration, wireless charging, and redesigned hands equipped with tactile sensors and cameras for greater precision. Following successful trials with the Figure 02 robot, BMW is using the new system as part of its broader digital transformation strategy, which also includes digital planning, 3D simulations, and a digital twin of the factory through its BMW iFactory approach. BMW is not the only automaker investing in general-purpose humanoid robots. Mercedes-Benz has already been testing the Apollo robot at its Berlin-Marienfelde plant, where it supports employees with repetitive logistics and manufacturing tasks. These deployments highlight a growing trend across the automotive industry to use humanoid robots for flexible, general-purpose applications on the factory floor.
Robot Runners Close In on Human Records
According to an article by Golem from April 19, 2026, humanoid robots beat human runners for the first time in a half marathon in Beijing, where a remotely controlled robot named Lightning (Blitz) from Honor initially finished first despite a fall but received a time penalty, resulting in an adjusted time of about 57 minutes, while the actual win went to an autonomous version of Lightning that completed the race in 50 minutes and 26 seconds, significantly improving on previous robot records and approaching the human world record. The event, which saw a sharp increase in participating teams and several robots struggling or crashing, reflects China’s strong investment in robotics and embodied AI, and experts note that such competitions primarily serve as rigorous tests to advance endurance, energy efficiency, and system reliability in robotics, with potential future applications in service, elderly care, and dangerous environments rather than long-distance running itself.
Ukraine Expands Use of Military Robots
According to German tech publication Golem.de, Ukraine says it has captured a Russian position for the first time using only unmanned systems, including ground robots and drones, in what could mark a significant milestone in modern warfare. President Volodymyr Zelenskyy described the operation as another sign of how rapidly battlefield technology is evolving, although independent confirmation of the exact circumstances remains limited. Ukraine has increasingly relied on robotic systems in recent months, with unmanned platforms reportedly being used for combat missions, reconnaissance, and even prisoner captures. The country’s defense-tech sector now includes hundreds of manufacturers developing a wide range of unmanned ground vehicles, highlighting Kyiv’s growing focus on automation and battlefield innovation. More details are available via www.golem.de.
Deadlines Extended for ICSR + Art 2026
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. For its 18th edition, the conference will present the special theme ICSR + Art, highlighting how robots can move beyond their conventional roles to become tools, partners, and co-creators within artistic and creative practices. At the same time, the conference remains open to the full breadth of social robotics research, including human-robot interaction, medical and assistive robotics, artificial intelligence and machine learning, ethics, design, education, and cultural applications. Accepted papers will be published in Springer’s Lecture Notes in Artificial Intelligence (LNAI) series and indexed in major academic databases. The conference programme will encompass regular papers, short papers, special sessions, a design and art competition, debates, the Robot Fringe live performance strand, and an Industry Day dedicated to emerging robotics and technology companies. Regular Papers for the main track must follow the submission guidelines provided on the conference website and be submitted via the Springer Meteor system by 6 March 2026. Contributions to Special Sessions should likewise follow the Regular Paper instructions and be submitted to the respective session. Short Papers must comply with the specific Short Paper guidelines and be submitted accordingly. The ICSR Design / Art Competition, proposals for debates, and submissions for the Robot Fringe live robotic performance programme are due by 15 March 2026. Early-stage robotics and technology companies wishing to showcase their work at the Industry Day may apply until 15 May 2026. Further details, submission instructions, and relevant links are available at icsr2026.uk.
Robot Fringe Open for Submissions
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of the conference program, Robot Fringe 2026 offers a dedicated platform for experimental, daring, and imaginative ideas, presented on a performance stage within the supportive and inclusive environment of ICSR+ART 2026 (icsr2026.uk/robot-fringe/). Drawing inspiration from the Edinburgh Festival Fringe – the world’s largest performing arts festival and the origin of a global tradition of fringe and off-festivals celebrating unconventional and small-scale performances (www.edfringe.com) – Robot Fringe embraces creative risk-taking and non-traditional formats across artistic and technological practices. The variety show will take place on the evening of Thursday 2 July at Senate House in London and runs in conjunction with ICSR+ART 2026. The program is curated and hosted by researcher-comedians Heather Knight and Piotr Mirowski. Further information and submission details are available via the ICSR submission page (icsr2026.uk/submission/) and the Robot Fringe website (www.robotfringe.com).
ICSR – Call for Debates
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of this edition, ICSR 2026 will host a series of live debates in the Debate Room (Senate Room), addressing pressing questions about social robots in society and culture. Debate proposals may focus on conceptual, ethical, scientific, artistic, practical, or societal aspects of social robotics and should connect broadly to the conference topics listed at icsr2026.uk/topics/. Submissions are open to contributors from social robotics, HRI, the arts, design, engineering, the humanities, and related areas, with interdisciplinary proposals particularly encouraged. Formats may include two-sided or multi-position debates, panel discussions, performative debates, or audience-engaged formats. In a nod to British debating traditions, participants are encouraged to wear academic gowns. Proposals are submitted via icsr2026.uk/debate-proposal, with a submission deadline of 1 March 2026 and notification of acceptance by 15 April 2026.
Unitree Robots in Venice
At the 2025 Architecture Biennale in Venice, Unitree robots are part of both an installation and a performance. While one robot paints on a canvas, the other plays music. However, you have to be lucky to see the performance, because most of the time the humanoid robots stand still or hang in the air. This is disappointing for visitors, who turn their attention to Alter3, which seems to know no fatigue. Another performance featuring carving cobots is also not on display, according to the media, for safety reasons. On the screen, you can see the arms reaching out to the audience. Although such proximity is normal for a cobot, individual visitors, such as children, can be unpredictable. So, in the hall where the robots are concentrated, there is at least one negative example of how a robot park should not be implemented. Information about the Biennale Architettura is available on the website.
Anouk Wipprecht at ICSR
On September 12, 2025, Dutch FashionTech designer Anouk Wipprecht gave a keynote speech entitled “The Intersection of Fashion, Robotics and Technology” at ICSR 2025 in Naples. In her presentation, she demonstrated how fashion can become an interactive experience that goes far beyond pure aesthetics by incorporating state-of-the-art technologies and scientific insights. With her designs, Wipprecht explores how clothing can transform not only our perception but also our relationship with the environment. A striking example of this is her Spider Dress, which uses integrated sensors and movable limbs to create a kind of technologically enhanced personal space. She collaborates with renowned partners such as Intel, Google, Microsoft, Samsung, Audi, and Swarovski, employing techniques like machine learning, biomimetic design, and microcontroller-driven animatronics. Her creations breathe, move, and respond to external stimuli – always with the aim of exploring new interfaces between humans and technology, and encouraging her generation to reflect on the future of the human body in digital space.
300 Keywords Space
The book “300 Keywords Weltraum” (“300 Keywords Space”) by Oliver Bendel was published by Springer Gabler on August 28, 2025. The first printed copies were delivered at the beginning of September. It is a fundamental work on space travel and space. It contains numerous digressions, for example on space poetry and space art – or on the mythological background to the naming of celestial bodies and galaxies. Central themes that run through the entire book are ethics, robotics, and the environment. These are areas in which the Zurich-based philosopher of technology and business IT specialist is at home. You can either read from A for Anthropozän (Anthropocene) to Z for Zwegplanet (Dwarf Planet), or choose one of the more than 300 terms and jump from there. It is Oliver Bendel’s sixth “Keywords” book, two of which are already in their second edition, namely the one on information ethics and the one on digitization. The most recent publication in this series is “300 Keywords Generative KI” (“300 Keywords Generative AI”). The book can be downloaded or ordered at link.springer.com/book/10.1007/978-3-658-49287-8. It is also available in bookstores.