The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of the conference program, Robot Fringe 2026 offers a dedicated platform for experimental, daring, and imaginative ideas, presented on a performance stage within the supportive and inclusive environment of ICSR+ART 2026 (icsr2026.uk/robot-fringe/). Drawing inspiration from the Edinburgh Festival Fringe – the world’s largest performing arts festival and the origin of a global tradition of fringe and off-festivals celebrating unconventional and small-scale performances (www.edfringe.com) – Robot Fringe embraces creative risk-taking and non-traditional formats across artistic and technological practices. The variety show will take place on the evening of Thursday 2 July at Senate House in London and runs in conjunction with ICSR+ART 2026. The program is curated and hosted by researcher-comedians Heather Knight and Piotr Mirowski. Further information and submission details are available via the ICSR submission page (icsr2026.uk/submission/) and the Robot Fringe website (www.robotfringe.com).
ICSR 2026 is Ready for Submissions
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1–4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The conference has now opened its submission system, and full details can be found on the official ICSR 2026 submission page (icsr2026.uk/submission). Authors are invited to submit to a range of categories. Regular Papers for the Main Track should follow the guidelines provided on the conference website and be submitted by 15 February 2026. Special Session submissions follow the same Regular Paper instructions but are directed to individual sessions listed on the Special Sessions page. Short Papers follow their own dedicated instructions and are submitted through the same system. Competitions and Debates each have their own portals, with submissions due by 1 March 2026. Additional tracks such as the Robot Fringe and Travel Grants will be announced soon. All submission links and instructions are clearly detailed on the ICSR 2026 submission page, ensuring authors have everything they need to prepare their contributions for this major event in social robotics.
ICSR – Call for Debates
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from 1-4 July 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. As part of this edition, ICSR 2026 will host a series of live debates in the Debate Room (Senate Room), addressing pressing questions about social robots in society and culture. Debate proposals may focus on conceptual, ethical, scientific, artistic, practical, or societal aspects of social robotics and should connect broadly to the conference topics listed at icsr2026.uk/topics/. Submissions are open to contributors from social robotics, HRI, the arts, design, engineering, the humanities, and related areas, with interdisciplinary proposals particularly encouraged. Formats may include two-sided or multi-position debates, panel discussions, performative debates, or audience-engaged formats. In a nod to British debating traditions, participants are encouraged to wear academic gowns. Proposals are submitted via icsr2026.uk/debate-proposal, with a submission deadline of 1 March 2026 and notification of acceptance by 15 April 2026.
Call for Special Sessions at ICSR
The 18th International Conference on Social Robotics (ICSR + Art 2026) will take place in London, UK, from July 1–4, 2026. ICSR is the leading international forum that brings together researchers, academics, and industry professionals from across disciplines to advance the field of social robotics. The conference is accepting special session proposals on a rolling basis until the submission deadline. Approved sessions will be added here as they are confirmed. The deadline for submitting proposals for special sessions is 1 December 2025. Further information is available at icsr2026.uk. Two special sessions have already been accepted, namely “SS01: Cultural Robotics” and “SS02: Participatory Futures in Social Robotics and AI”.
ICSR + Art 2026 in London
The ABBAtars in London
ABBA are currently performing in London – but the four band members are being represented by their avatars. The ABBAtars, as they are called, appear very perfect. They have the facial expressions, gestures, and movements of the originals. Knowing how they look today, you think they fell into the fountain of youth. They look like they did in the ’70s. You see every detail of the faces, bodies, and suits and dresses. And they appear three-dimensional. You could call them quasi- or pseudo-holograms. The band has been performing their songs for weeks. Systems captured their movements when they danced and their emotions when they sang. Most of all, motion capture was used. The four wore special full-body suits with markers attached to them. In addition, facial expressions were recorded, mainly to be able to show emotions. 160 cameras filmed Agnetha, Björn, Anni-Frid, and Benny from all sides. The faces were then digitally rejuvenated – and apparently also the bodies. ABBA is probably writing cultural history with this project. The avatars and their movements are unusually perfect. In addition, there are real people, a live band playing with the four ABBAtars. The show is very elaborate. It is a new business model – in principle, you can give several concerts a day, 365 days a year. At least if you leave out the live band. On Deutschlandfunk Kultur, early in the morning of May 27, 2022, moderator Dieter Kassel spoke with Prof. Dr. Oliver Bendel about the ABBA show Voyage in London and the ABBAtars. Oliver Bendel published the chapter “Hologram Girl” in the 2019 Springer book “AI Love You“.